Dettaglio


Citazione bibliografica

Vidic, F., Francesco Mander: la musica come “universale” nel secolo delle fratture, Studi goriziani, Biblioteca Statale Isontina, Gorizia, 112, pp. 75-96

  • Autore/i
    Vidic, F.
  • Titolo pubblicazione
    Francesco Mander: la musica come “universale” nel secolo delle fratture
  • Titolo giornale o rivista in cui è pubblicata
    Studi goriziani
  • Istituzione coinvolta nella pubblicazione
    Biblioteca Statale Isontina
  • Luogo pubblicazione
    Gorizia
  • Numero di serie del libro o giornale
    112
  • Da pagina
    75
  • A pagina
    96
  • Abstract
    Conductor, composer and teacher, Francesco Mander was a protagonist of the music scene for about thirty years from the end of the Second World War to the seventies. Acclaimed by the public and critics, he was a guest of the major theatres and concert halls all over the world, demanded both by the orchestras and the most important soloists. However, his career ended unexpectedly in a small and peripheral town like Gorizia, in the far north-east of Italy, where he lived a "second youth" as director of the local musical institute. The article illustrates Mander's biography for the first time with unpublished materials. In the appendix the catalog of his compositions and surviving recordings.